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december 2010 programmes
thursday 2nd december
6.30 pm
‘In the Belly of the fish’
by Stella Dupuis an illustrated talk and Book Launch
saturday 11 december
1 to 3 pm Food Meditation # 12
saturday 11th december
4 to 6 pm
“Exploring Creativity and Self
Expression through Therapeutic Music-Making” a
workshop
conducted by Mike Hewitt
wednesday 15th december
6.30 pm ‘The Dark Side of The Universe 2’ an
illustrated talk by Priyamvada Natarajan
friday 17th december
7 pm -9 pm “ 9 Minutes of Fame (9 writers | 81
minutes | 1 coffee break)”
tuesday 21 december
1 to 3 pm Forgotten Foods – an experiment in eating
tuesday 21 december
6.30
pm ‘Translating Sikh Scripture without His Masters
Voice’ – a lecture by Nikky-Guninder Kaur Singh
monday 27th december
6.30 pm “Some Vedic and Greek goddesses” a talk by
Nicholas Kazanas
wednesday 29th december
6.30 pm ‘Fighting
terror or fighting freedom? Whither the rule of law
in post 9/11 Britain and India.’ A talk by Marina
Wheeler
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thursday 2nd december
6.30 pm
‘In the Belly of the fish’
by Stella Dupuis an illustrated talk and Book Launch
In the Belly of the Fish
is a novel of transformation expressing
philosophical themes through sensuality, humor and
spiritual awareness. The theme is presented through
the mystic figure of Matsyendranatha, an enigmatic
and multifaceted teacher, said to be the founder of
Yogini Kaula school probably related with the Yogini
Temples (in Orissa, Madhya Pradesh and U.P.)
The Tantric tradition in India is
commonly identified with the worship of Shakti
(personification, of divine feminine creative
power). It deals primarily with spiritual practices
and ritual forms of worship and from the 10th
CE onwards developed into many schools
from Agamas, Vishnuism, Bhakti
movements, Pancharatra, Vaikhanasa, Shivaism, and
yogic schools such as the Nathas, Pashupatas and the
Dattatreya bhaktas with wide ranging beliefs from
the use of mantras, tantras and yantras to black
magic and the importance of sexual contact.
The ancient manuscript of the
Kaulajñânirnaya (discovered in the library of the
king of Nepal in the 20th c) is
attributed to Siddha Matsyendranath .It is an
esoteric work full of knowledge about the siddhi
techniques in the path of the state of Oneness. He
and his disciple Gorakshanath came to be associated
as founders of the Natha tradition.
Abhynavagupta honored Matsyendranath
as being the father of Yoga and in Nepal he is
venerated in the Kathmandu Valley as the God of
Mercy.
The plot of the novel takes the
Yoginis and Matsyendranatha through exotic
locales such as Bangladesh, India, Nepal, Colombia
and Russia by means of legends and everyday stories
while revealing the secret knowledge of instant
happiness and everlasting bliss.
Stella Dupuis is a Swiss novelist
born in Panama. She studied marketing and
advertising in Switzerland and Sweden before
launching a successful business career in Latin
America and Europe. Since becoming a writer seven
years ago she has published four novels in Spanish
and English. In her work she depicts a yearning for
a spiritual destiny that transcends blind
commitment, stereotypes, or religious fanaticism.
For many years Stella has also been teaching Yoga
and meditation in many countries. She is the author
of Memoria de viento, (In the wake of the wind); La
Puerta de Jade (Teli-Ka Mandir) and Travel notes:
The Yogini Temples of India, In the pursuit of a
mystery.
saturday 11 december
1 to 3 pm Food Meditation # 12
Today being Osho’s (Bhagwan
Shree Rajneesh) birthday we bring you some
quotes from him on vegetarian food.
“Life in its infinite forms exists as one organic
unity. We are part of it: the part should feel
reverence for the whole. That is the idea of
vegetarianism. It simply means: don’t destroy life.
It simply means: life is God — avoid destroying it,
otherwise you will be destroying the very ecology.”
“Jainism is the first religion that has made
vegetarianism a fundamental necessity for
transforming consciousness. And they are right.
Killing just to eat makes your consciousness heavy,
insensitive; and you need a very sensitive
consciousness — very light, very loving, very
compassionate. It is difficult for a non-vegetarian
to be compassionate; and without being compassionate
and loving you will be hindering your own
progress.”
We
continue our Food Meditation series by gathering
together to eat wholesome, nutritious food
meditatively.
Menu
1. Chaulai (Amaranth) Roti
2. Naurangi (Rice bean/ Cow
Pea) daal
3. Jhangora (Barnyard Millet)
Pulao
4. Alloo (Potato) jakhia
5. Raita
Participation
is by registration on payment only. Telephone The
Attic 23746050 or email
anaam@aol.in, mina@theatticdelhi.org.
Charges: Rs 100.
saturday 11th december
4 to 6 pm
“Exploring Creativity and Self
Expression through Therapeutic Music-Making” a
workshop
conducted by Mike Hewitt
The
healing powers of music have been used and
understood from ancient times in India and
throughout the world. The modern Art and Science of
Clinical Music Therapy has
been developing in the West over the
last 60 years but is, as yet, very new to India. The
World Federation now has over 50 members including
UK, USA and Australia.
Clinical Music Therapy requires very
different skills in the use of music, where both
client and Clinician improvise music together,
building and developing a therapeutic relationship.
Emphasis is placed on the process of shared
music-making, rather than the aesthetics of the
music itself, leading towards therapeutic goals. The
music is very much seen as a language for
communication and self expression, in a safe and
trusting environment, facilitated by the Therapist.
The training includes developmental psychology
(particularly looking at research into early
communication processes), a grounding in
psychotherapeutic skills (and the role of play and
creativity in fostering change and growth), as well
as developing students’ abilities in clinical
music-making.
Workshop Content
This workshop aims to encourage
individuals to explore the role of music within
their lives using simple practical musical
activities to explore and develop participants’ own
creative and expressive abilities in using music.
Thus the workshop is experiential in
nature and Mike will provide a variety of
interesting and unusual tuned and un-tuned
percussion instruments for participants’ use.
The workshop is ideal for
non-musicians, but also for amateur musicians
wishing to develop and broaden their musical
flexibility and expression.
For proficient musicians who are
interested in finding out more about the
postgraduate Clinical Music Therapy training Mike
will be holding separate 1 day workshops at The
Music Therapy Trust’s clinic room. Please contact
Mike separately at: howlingmike@hotmail.com
Mike has taken a sabbatical from the
Health Service in the UK to work for The Music
Therapy Trust as the Postgraduate Music Therapy
Course Tutor in Delhi. He is also giving lectures
and workshops in Nepal, Mumbai and Delhi to Clinical
Psychologists, Creative Practitioners, musicians and
interested parties in his time here. Since July Mike
has played sax/flute with Delhi Drum Circles,
performing at the Monsoon Festival and Udaan 2010
for the Come Together Family Foundation, as well as
regularly in public events.
Mike qualified as a Clinical Music
Therapist at the Roehampton Institute, London in
1994. He has 15+ years of experience of
working
as a Clinical Music Therapist for the British
National Health Service as well as in Education –
Mainstream and Special Schools – for Charities,
Social Services and Privately in the UK. He also
worked for 1 year with the elderly in Australia.
Mike composes, plays the saxophone, keyboard and
sings in various bands, as well as singing tenor in
several choirs.
Registration by 2nd
December. Cost Rs 300 Maximum 10 persons Call Mina
Vahie 23746050 or email
mina@theatticdelhi.org
wednesday 15th december
6.30 pm ‘The Dark Side of The Universe 2’ an
illustrated talk by Priyamvada Natarajan
 Black
holes are the most enigmatic objects in the Universe
and recent breakthroughs in astronomy are providing
us important clues to understanding them better. We
have detected black holes in the nearby and distant
Universe. This enables us to unravel their growth
and assembly history over cosmic time. I will be
presenting exciting, new results that reveal that
black holes are constantly binging teetering from
feasting to fasting as they grow in the Universe.
Priyamvada Natarajan is a Professor in the
departments of Astronomy and Physics at Yale
University. In addition, she currently holds the
Sophie and Tycho Brahe Professorship at the Dark
Cosmology Center at the Niels Bohr Institute in
Copenhagen, Denmark. She did her undergraduate
studies at MIT, and her PhD at Trinity College at
the University of Cambridge where
she was also elected to a Title A prize fellowship.
She is a theoretical cosmologist and works on
exotica in the Universe: dark matter, dark energy
and the growth of black holes in the Universe. She
has won numerous awards for her work, and recent
honors include an election to a fellowship at the
Royal Astronomical Society (2008); a Radcliffe
Fellowship (2008); a Guggenheim fellowship (2009)
and the Face of the Future Award (2009) from the
India Abroad Foundation. She is very interested in
the public dissemination of science, and writes
frequently for the public and serves on the advisory
board of NOVA.
friday 17th december
7 pm -9 pm “ 9 Minutes of Fame (9 writers | 81
minutes | 1 coffee break)”
9 writers share excerpts from their
unpublished/unfinished manuscripts.
Selected by a jury of 3, they will each be given 9
minutes to read and discuss their work with the
audience. A great opportunity to get feedback on
their work.
Novels, poems, film scripts, plays, essays. Anything
with words. Good writing is the bottom line! The key
is to make each of the 9-minute interactions
meaningful—for the writer and the audience.
The folks from Kunzum Café would be at the venue to
add the ever-so-important coffee to the
conversations!
Kanishka Gupta, who has recently published a novel
‘History of Hate’ and heads a very successful
literary agency called *Writer’s Side*, is
associated with us as a guest jury. The prose
writers who are a part of the evening would be
getting a brief written feedback from him. This
could just
be their chance at fame… and not just for nine
minutes!
An evening when writers become readers and readers
become listeners. Be there!
Registration for the event closes on 5th December.
For more details,
facebook.com/wordsrhythmsimages or email us at:
writeto.images@gmail.com
An event conceptualized by *words. rhythms. images*
in association with kunzum café, writer’s side and
cathaayatra.
wordsrhythmsimages.co.in
saturday 18th december
6.30 pm X’mas surprise
 The
Attic's Christmas event this year was billed as
“Christmas surprise” and surprise it will be. There
will be a cooking demonstration of how to make a
Christmas cake and we have a group of assorted
singers who will be singing carols and teaching us
how to sing them.
Christmas cake demo – by Anubhav Kumar Sharma and
Kedar
Anubhav is a doctor by profession and started baking
by accident. He was a stressed out student preparing
for his UPSC exam when he met the owner and started
working part time at the Maxmueller Bhawan café.
Kedar Bhaiya was the professional baker there and
with his patience and good humour and desire to
learn even more they started baking together. They
even went around to many of the bakeries of Delhi to
look for new ideas. They serve over 200 people daily
with a range of 150 recipes, with a clientele from
the German, British Embassies and the American
Center nearby.
We hope there is enough to sample along with the Hot
? punch.
Carol singing
A carol is a "religious
song...associated with Christmas". But this was not
always so. The first specifically Christmas hymns
that we know of appeared in fourth century
Rome. Followed in the 10th
century and the 13th centuries by non
church popular songs which did not have to be sung
in the church. Carols gained in popularity after the
Reformation in the countries where
Protestant churches gained prominence,
specially in the ‘vernacular’ languages..
Adeste Fidelis
(O Come all ye faithful) appears in its
current form in the mid 18th century. The first
appearance in print of "God
Rest Ye Merry, Gentlemen", "The
First Noel", "I
Saw Three Ships" and "Hark
the Herald Angels Sing" was in
Christmas Carols Ancient and Modern (1833) by
William Sandys.
In modern times such favorites as "Good
King Wenceslas" by
Arthur Sullivan "White
Christmas" and "Blue
Christmas started blurring the
distinction between a Christmas carol and a
Christmas song and both are now sung
regularly in sacred and secular settings.

This evening Ashima Batra and her 2
daughters Nedabia and Acsah will be singing,
demonstrating and helping us to sing along many of
the popular carols of the season.
Ashima
works
for an IT firm and has been a counsellor for 'DHARKAN'
(radio programme)
on
FM GOLD for two years. She has a passion to sing and
has been part of many Delhi choirs. Nedabia
is a 2nd year Jesus and Mary College student who has
mesmerised her school audience with her portrayal of
Mrs Danvers character in the play 'Manderlay' . She
loves acting, singing carols, praise and worship
songs.
Acsah
is in the 12th class, and currently rehearing for
her upcoming school musical 'Children of Eden'. She
is portraying the Snake in this play and we get to
hear the sssssss sound all day. Her lovely
husky voice has lent its own spell to all the choirs
she has sung for.
tuesday 21 december
6.30
pm ‘Translating Sikh Scripture without His Masters
Voice’ – a lecture by Nikky-Guninder Kaur Singh
 As
Walter Benjamin wrote in "The Task of the
Translator," “Languages are not strangers to one
another, but are, a priori and apart from all
historical relationships, interrelated in what they
want to express.” However, English has imposed his
master’s voice on to the voice of the Sikh Gurus
— distorting their vision of the transcendent One
into a male God, reducing their
multiple concepts of the Divine to merely a single
concept of a Lord, and dichotomizing
the fullness of their experience into body and
Soul. Such impositions, reductions, and
dualizations debilitate any genuine relationship
between languages. I want us to think about new ways
to translate the Sikh sacred text, and thus recover
the true affinity between Punjabi and English – and
our common humanity.
Nikky-Guninder Kaur Singh is the Crawford Family
Professor and Chair of the Department of Religious
Studies at Colby College in Maine, USA. Her
interests focus on poetics and feminist issues.
Nikky Singh has lectured and published extensively
in the field of Sikhism, including The Birth of
the Khalsa (State University of New York Press,
2005), The Feminine Principle in the Sikh Vision
of the Transcendent (Cambridge: Cambridge
University Press, 1993), Sikhism (Facts on
File, 1993), The Name of My Beloved: Verses of
the Sikh Gurus (HarperCollins and Penguin),
Metaphysics and Physics of the Guru Granth Sahib
(Sterling, 1980), and Cosmic Symphony (Delhi:
Sahitya Academy, 2008). Her views have also been
aired on television and radio in America, Canada,
England, India, Australia, and Bangladesh.
tuesday 21 december
1 to 3 pm Forgotten Foods – an experiment in eating
For
the meal today we are combining traditional with
seasonal while still staying in the Punjab, Haryana,
UP area of North India. The sarson fields are just
about losing their flowers and edible leaves, but
the carrots are in full season and the favourite
dessert is gajar ka halwa.
1 kg juicy orange carrots
1 1/2 litre milk
400-500 gm sugar
4 elaichi (cardamom)
1 tbsp ghee
Method
Peel and grate carrots and boil them in a
heavy saucepan with milk till thick, stirring
occasionally. Add sugar and cook further
stirring continuously till thick. Add ghee and
crushed elaichi. Stir on low heat till the
mixture collects in a soft ball or the ghee
oozes out. Serve hot, decorated with a chopped
almond or pista.
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Menu
Makki ki roti (Corn roti)
Sarson ka saag (Mustard spinach)
Dal/ Chawal (Lentil with rice)
Gajar ka Halwa (Carrot halwa)
Lassi (Buttermilk)
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Reservations are possible on advance payment but not
necessary. Seating will be on cushions on the
ground and silence will be encouraged.
Charges Rs 300/- per person.
Telephone Mina Vahie 23746050 or email
mina@theatticdelhi.org,
anaam@aol.in
monday 27th december
6.30 pm “Some Vedic and Greek goddesses” a talk by
Nicholas Kazanas
The names of some Vedic goddesses appear in other
ancient cultures of Europe - Greece, Italy, Gaul and
Scandinavia. In the ancient Vedic religion the
goddesses do not receive as much attention and
worship as the male gods, except
Ushas
the Dawn and
Sarasvati,
goddess of inspiration and nourishment. Sarasvati is
the only one who passed into the later Hindu
pantheon. In Greece the goddesses are much more
recognisably anthropomorphic with many human traits.
Four of the more important ones are
Hera,
the consort of Zeus;
Aphrodite,
(older than Zeus,) goddess of beauty and love;
Artemis,
daughter of Zeus and sister of the Sun god Apollo;
and
Athena
who sprang out of Zeus head fully armed, goddess of
wisdom and war. There are also lesser known ones
Demeter, goddess of earth and growth, Persephone of
Spring and light Hestia, of the hearth and home.
Nicholas Kazanas is a graduate of
University College, London and a post-graduate at
SOAS and at Deccan College in Pune. (India)
He taught in London and Athens and
since 1980 has been Director of Omilos Meleton
Cultural Institute. (www.omilosmeleton.gr/en/default_en.asp)
In Greece he has published treatises of social,
economic and philosophical interest. He is on the
Editorial Board of Adyar Library Bulettin (Chennai).
He has also produced a three-year course of learning
Sanskrit for Greeks.
From 1997 he has turned towards the Vedic Tradition
of India and its place in the wider Indo-European
culture. This research comprises thorough
examination of Indo-European cultures, comparing
their philosophical ideas and values, their
languages, mythological issues and religions. He has
also translated the ten principal Upanishads from
the original Sanskrit text into Greek. His latest
publications are 'Indoaryan Origins and Other Vedic
Issues' and 'Economic Principles in the Vedic
Tradition' .
wednesday 29th december
6.30 pm ‘Fighting
terror or fighting freedom? Whither the rule of law
in post 9/11 Britain and India’ a talk by Marina
Wheeler
 Since
9/11, London and Mumbai have fallen victim to
carnage at the hand of terrorist groups. Terrorist
atrocities create fear, and fear threatens human
rights and the rule of law. Since 9/11, in both
India and the UK, legislation has been passed
granting the state and security forces new powers to
deal with those suspected of terrorist offences. In
the UK, many consider that hard won freedoms are
being jettisoned, with the judiciary in the vanguard
of this defence of the rule of law. Detention
without trial and control orders (a form of house
arrest) have been struck down by the courts – an
astonishing display of judicial independence but not
welcomed in all quarters.
This seminar looks at the pressing question facing
both our societies: how to balance the state’s duty
to protect the public against the rights of those
suspected of involvement in terrorism – individuals
who may, of course, be wrongly suspected. It also
considers the role of the courts – lawyers and
judges – in defending the rule of law and the rights
of those who do not attract public sympathy and are
vulnerable to ill-treatment by agents of the state.
Marina Wheeler is a London-based barrister (with an
Indian mother) who practices public and human rights
law. She obtained her law degree from Cambridge
University and a Masters Degree in EU law from the
Free University in Brussels. She has practiced at
the Bar in London since 1994, and is a member of the
Attorney General’s Panel of Counsel who undertake
legal work on behalf of the Government. She recently
represented the Ministry of Defence in litigation
challenging the legality of UK detention policy in
Afghanistan.
She is a member of the UK Human Rights Lawyers
Association and the Bar Human Rights Committee.
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